Every now and then life allows me to do some fun things. Like the Doug Wright Awards, which writer-director-actor Don McKellar has helped out with the past couple of years. This summer Don asked me to lend a hand with finding some comics that he could incorporate into a new TV series he was directing in Ottawa (my hometown). The show, Michael: Tuesdays and Thursdays, is about an anxiety ridden young man and his relationship with his therapist, who also has his own neuroses. So far, it is very funny and charming.
Part of a recent episode deals with Michael having a gal over to his apartment, which is decorated with many geeky accoutrements, including posters for alt-comics. Spotlighted in the episode are Yoshihiro Tatsumi's Black Blizzard and Joe Ollmann's Mid-Life.
The episode may contain the only joke I have ever seen that is built upon a knowledge of the comics of Tastumi.
(Many thanks to Drawn and Quarterly for securing the permission to use these.)
Showing posts with label drawn and quarterly. Show all posts
Showing posts with label drawn and quarterly. Show all posts
Friday, 7 October 2011
Thursday, 16 October 2008
Done and gone, like dinner
Yes, I have been horribly remiss in keeping up this blog. But I have a good reason, really. It's all Doug Wright's fault, see. First, it was the 2008 Doug Wright Awards, which I am the director of and the host. When I wasn't doing that, I was busy finishing up my part of the upcoming book The Collected Doug Wright: Canada's Master Cartoonist.
The first volume of this retrospective look at the artist's life is due to hit shelves next Spring, and for much of the past year (longer if you include the months of research) most of my free time and holidays have been consumed with writing what I hope is the definitive take on Wright's life and art. Anyway, I'm happy to report that the final book is being sent to the printer later today. This piece of art from a 1950s Christmas card kind of sums up how i feel right about now:

It's been a long process, and an eye-opener for me in terms of the publishing process. It's a laborious, back-breaking job getting a 200-page plus book in shape and I'm glad it's not my . I mean, how can any right-thinking person (ie. Chris Oliveros) feel like they can do Seth's amazing design justice, not to mention Wright himself?
Luckily, he is the right man for the job. I've seen a layout for the book, and what can I say: it's eye-popping. Seth has outdone himself, with a classy (duh!) design that both honours Wright's work and frames it in a way I think newer readers will embrace. So, here's to Doug, and hopefully the beginning of a mini-renaissance for his work. (below is a sample strip that kind of sums up what was so great about the strip: that combination of anger, frustration and, well, love.)
The first volume of this retrospective look at the artist's life is due to hit shelves next Spring, and for much of the past year (longer if you include the months of research) most of my free time and holidays have been consumed with writing what I hope is the definitive take on Wright's life and art. Anyway, I'm happy to report that the final book is being sent to the printer later today. This piece of art from a 1950s Christmas card kind of sums up how i feel right about now:

It's been a long process, and an eye-opener for me in terms of the publishing process. It's a laborious, back-breaking job getting a 200-page plus book in shape and I'm glad it's not my . I mean, how can any right-thinking person (ie. Chris Oliveros) feel like they can do Seth's amazing design justice, not to mention Wright himself?
Luckily, he is the right man for the job. I've seen a layout for the book, and what can I say: it's eye-popping. Seth has outdone himself, with a classy (duh!) design that both honours Wright's work and frames it in a way I think newer readers will embrace. So, here's to Doug, and hopefully the beginning of a mini-renaissance for his work. (below is a sample strip that kind of sums up what was so great about the strip: that combination of anger, frustration and, well, love.)
Labels:
1950s,
canada,
comics,
doug wright,
doug wright awards,
drawn and quarterly,
nipper,
seth
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